![]() I have my VEP instances grouped rock band instrumentation, strings, synths, epic perc, etc. In PT, I can keep a VEP instance disabled until I need it, which helps me keep working fast while saving some system resources. I don't work on dozens of cues a day.more like 3 or 4 a day, but I still find it extremely convenient to have my template up and running in the background while I switch between sessions.Īlso, you can have more than one instance in any given session. Works without a hitch.I'm on PT 11, so VEP helps me use VI's and plugs that aren't yet compatible with the AAX plug in format.ĭrBill said the same thing to me when I was considering this a while back. I keep new elements that are unique to the cue hosted in my daw (PT) and the main template in VEP. If you load your template in VEP and leave it there, you load once, and forget it. I suspect that could take up to an hour of your day or even more depending on how often you're hopping between cues. ![]() If you're working on a film and jumping back and forth between dozens of cues a day, if you host your library in Logic, you will have to load and dump gigabytes of samples every time you close and open a new cue. The biggest advantage of the slave approach for me isn't just 64-bit/more than 4G of data, but having a large template's worth of VIs loaded constantly so any project can haveįull orchestra, perc, etc, and I can use the host for loading project specific VIs/tempo-sync'd synths, etc. Once it's setup, you can save the config and load it easily later. And for a basic hosting system, it's really not a big deal to work with.ġ -Just add a duplex audio device (ASIO on PC), and use the output device.Ģ - Add midi input devices for however many midi ports you have/want to use.ģ - Add the VIs you need (Kontakt, Play,etc) and route a corresponding midi port to each.Ĥ - You can add various mixers to combine audio outs of VIs to run into the audio output device if desired. It isn't as intuitive as VEPro, Bidule can also be setup with some more complex midi processing, Both use almost no cpu on their own.īildule is a modular application - once you figure out the concept, it's easy to setup. unlimited) installs on your own computers. The advantage with Bidule is that it is relatively inexpensive (the "full" version is coming, and will be more, but it's only $95 currently),Īnd one license gives a single user multiple (i.e. I don't use the ethernet streaming for slaves with VEPro - hardware for audio there and MidiOverLan for midi, as with the Bidule slave. You get two licenses with VEPro, so you can run it outside your DAW on the host, and on a slave at the same time. The advantage over Bidule is that you can stream audio via ethernet, it's more intuitive, and it's a full mixer with the ability to load plugins easily on VI outputs, setup internal bussing, routing for multi-out VIs, etc. VEPro is fantastic - well worth the price. Recorded Live on Stillstream - Mysterious SemblanceĪlbum cover photo provided by under Creative Commons BY/2.5Īll material by Tange Copyright © 2012 released under a Creative Commons license for free non-commercial use under certain conditions.I use both VEPro and Bidule on different slaves (and VEPro locally on the host as well). Perfomed, Recorded, and Produced by Tange This is a lovely live set by Tange that you won't want to miss. Live 04.21.12 tends to drift more towards the floating ambient / atmospheric side of the genres, but Berlin-School fans will be happy to hear some nice syncopated sequencing that flows in and out of the mix throughout the set. Tange is able to craft gorgeous pads and floating textures throughout this live set that truly make you feel like you are drifting in the upper stratosphere. MacMillan also supplies some additional instrumentation which fills in all the gaps and adds that extra element of excitement you get from live and improvised music. In this case, Gordie modulates the generative output occasionally to steer the composition the direction he would like to keep going. ![]() Bidule can work independently or with suggestion by the player to alter its seemingly random course. On Live 04.21.12, Tange makes abundant use of Plogue Bidule, a generative software which can transform input into something entirely different as it interprets and translates the data through its algorithmic structure. For Tange's newest release with Ethereal Live, we receive a beautiful long-form synthesizer suite just over thirty minutes that I guarantee you will find hard to resist. Not only is he an accomplished string instrumentalist, he is also a synthsizer madman. Ethereal Live is happy to announce the return of the ambient necromancer Tange, aka Gordon MacMillan. ![]()
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